My friend Rebekah and her band Saint Ophelia are great artists!
They are about to make their first recording and they are asking for your financial support to make it a success.
They deserve it!
Femen leader in Sweden, Jenny A Wenhammar, wanted to meet me so that I realize, for her and her movement, the photo intended to deliver two strong messages related to the news:
- The first, intended for Vladimir Putin, on the occasion of the presidential election in Russia, March 18, 2018. She wishes through this photo denounce the absence of democracy in Russia, the lack of rights of women, and discrimination against LGTBs.
- The second, addressed to Recep Tayyip Erdoğan and Turkey, condemning their attempted genocide against the Kurdish people in Afrin.
So she made the trip and we made this picture, with the only request to pose with “my clouds” and my style.
Femen became internationally famous by organizing actions, mostly topless with slogans written on the body, this in order to defend the rights of women, to engage in favor of democracy, and to fight against corruption or again against the influence of religions in society.
The unsensored picture:
You will find below the official statement of Femen accompanying this picture:
“FEMENISTS FIGHT ERDOGAN & PUTIN
On the 18th of March 2018 Putin sacrificed the Kurdish people in Afrin for his superpower wet dream, on the date of the 4th anniversary of his sneaky annexation of Crimea 2014 in Ukraine. On the 18th of March 2018, Putin arranged elections without a choice, and turned his blind eye to his fake democracy apprentice Erdogan in Turkey who early in the morning of this so called Russian election day, conveniently annexed Afrin in Rojava in northern Syria.
Let’s make it clear that Putin and Erdogan are eager to build their nationalist fascism based on fighting feminist values.
They fight by installing double fear, but Femen does not fear them. Femenists fight back!
Putin and Erdogan are evil twin brothers in their use of fascism to silence advocates of democracy and freedom of expression, extended
to all members of society.
They fight human rights through harassment, imprisonment and murder of free-thinking people. Hailing fear, and fearing opposition.
They extended fear to society through cultivation of conservative nationalism and religious pride, claiming that western values will
undermine Russia and Turkey.
And what frightens them the most is equality and LGBTQ-rights. Despots always fear feminism, throughout history.
On the 18th of March 1940 Hitler met his evil twin brother Mussolini in the Brenner Pass, and history does repeats itself over and over again
when psychopath authoritarian men recognize how they can use each other to expand their territory, grabbing whatever they want.
On the other side we have the opposite values; of feminism and care for living beings’ rights. Keep it clear that these are two systems at war.
The Kurdish freedom fighters with it’s brave women and men from YPJ and YPG together ending the Islamic Caliphate in the region, believe in the values of secularity and women’s rights, establishing inclusive direct democracy and a gender revolution, where ethnic minorities and the gay community are welcomed. The revolution of Rojava united socialism, feminism and even environmentalism.
When Erdogan cracked down at the uprise in Gezi Park 2013 it should have been clear to the world what was to come, from bad to worse.
Now after the coup Turkey’s regime locks up more journalists than any other government on Earth, and as Erdogan expands his sunni caliphate the relationship between Turkey and jihadism is undeniable.
The repeated Kurdish genocides, recently committed by ISIS, are continued by Erdogan, condoned by Putin.
Putin has betrayed the Kurds, and so has the world, as has the world neglected Russia waging a horrendous air campaign in Syria on behalf of Assad’s forces, since 2015. And Erdogan has thrived from his payed position stopping refugees from fleeing into Europe.
Both Putin and Erdogan gain power by a wavering West, and for Putin a Turkish conflict with NATO is a plus.
So when Turkey two months ago launched an air and ground offensive called “Olive Branch” against Kurdish controlled Afrin, even if US troops
have fought with the Kurds against ISIS, Putin withdrew the Russian air umbrella protecting Afrin, giving an obvious approval.
Putin condoned ethnical cleansing on the day of his electoral fake victory where voters were forced to choose him for six more years of dictatorship.
This destabilizes the relations with Assad and Rouhani, but is apparently preferred by Putin in order to harm stability in the European Union
and transatlantic relationships.
Here Putin and Erdogan stand hand in hand – happy twin homophobes united in preventing any drift westward.
For they are as horny for power as they are scared of feminism.
FEMINISM IS THE FUTURE, AND WE ARE READY TO FIGHT FOR IT!“
I did not see these images of the awards ceremony of the 29th Night of the Press, in 2015.
I had the pleasure of receiving the Best Press Photo Award for an image from my reportage about the Charlie Hebdo attacks.
Here is the video of the pleasant memory of a trophy that opened a few doors.
Click on the image (and subscribe to my Youtube channel!):
Canet en Roussillon, 1st March 2018
With the cold wave that hit France and Europe in general, the Catalan coast showed a poetic anger, at the beginning of the week …
First book of my stepdaughter Amber, “Anders om”, exposed in the Arnhem’s library!
Proud of her!
Her website: https://www.amberhuijskes.com/
Congratulations to Orelsan, whom I had the chance to photograph, and who triumphs this night at the Victoires de la Musique (it’s like the Grammy Awards) in the categories:
- Male Artist of the Year
-Album of urban music
- Audiovisual creation
Beyond the polemics, I met a really charming boy, simple and intelligent.
Bravo Aurélien …
There are different advantages to buying the work of a living artist (Acquisition of works of art companies may deduct from their taxable profit the cost of acquiring, for example).
All my photographs are signed, numbered (series of 8 or 20 prints only), with a certificate of authentication.
You will find the formats and prices here:
I am happy to answer any questions you may have:
January 1st, 2018, close to the city of Winterswijk, in the Netherlands, near the German border,
I was surprised to find this chalet, inspired by one of the most famous paintings
of the XXth century:
American Gothic, from Grant Wood. This painting (collection of the Institute of Art of Chicago)
presents a standing farmer next to his single daughter. The models were the dentist and the
sister of Grant Wood.
The woman is dressed in a printed colonial apron imitating the American traditional style of
The fork suggests hard labour and the flowers above the right shoulder of the woman suggests
the domestic life.
I was pleasant surprised to find this very free adaptation in the dutch countryside, and to notice that his
anonymous author choose to make the girl wink, for unknown reasons…
Happy NY 2018
In this loveliest and happiest of seasons, may you find many reasons to celebrate. Have a wonderful Christmas!
I was very pleased by the beautiful opening of my exhibition in Zurich, november 11th. The Art & Business Gallery, "Political Poetical" offered me to exhibite, as an emerging artist, alongside with great masters like Pablo Picasso, Salvador Dali, and Erwin Olaf, but also Santiago Sierra, Chus García-Fraile, Johan Wahlstrom, Johanna Reich, and Josie McCoy. Seeing my photos in front of Picasso's drawings was awesome. Thanks to Petra Lossen (director), Leonhard Flopp (owner of the gallery) & Paco Barragan (curator). Paco Barragan, curator, me, Leonhard Flopp, owner of the gallery, & Petra Lossen, director of the gallery Me, Gaynor Dunraven, artists agent, & Paco Barragan, curator of the exhibition My Canon AE1 An original picture of Erwin Olaf and several Picasso's draws With a Dali Sculpture
A nice article from journalist and photographer Karine Sicard-Bouvatier, on the blog "The Pariser", the digital version of the eponymous magazine launched by two excellent journalists : Ulysse Gosset and Laetitia Monsacre. I'm proud that my name is mentioned in this article. http://www.jimlepariser.fr/fotofever-vive-la-jeunesse/
It was a nice fair in the prestigious setting of the Carrousel du Louvre. Fotofever 2017 is done and it was a lot of very good professional meetings. The Castang Art Project gallery presented my animal work in Africa, from Kenya to Ethiopia, through Tanzania, Namibia, Cameroon, Congo, from November 10th to 12th. I invite you to contact Roger Castang, director of the gallery, to buy these works: http://www.castangalerie.com/ With Cécile Schall, Fotofever director Roger Castang, director of the Castang Art Project gallery Fotofever Fotofever With my friend Olivier Pérouze, cartoon screenwriter
Last night during the radio show “and if we talk about..”, on France Blue, presented by Patrick Mas, we received Miss Pauline Vidal, Miss Pin-Up France 2018.
This was a beautiful occasion for us (Jacques Font, owners of several cinema in France, and Thierry Meier, producer) to listen to a young beautiful woman and recalling what the French elegance in the 50s was all about.
Without the slightest vulgarity and with a good set of brains underneath her veil, this dog groomer, will defend the French colors at the Miss Las Vegas Pin-Up, the real World Championship of this discipline.
Good luck, Pauline!
Today, I had the pleasure of meeting the french artist Berhart (and to buy two splendid prints from him) at the tattoo convention of Perpignan, south of France. Self-taught artist and a very original man, below you can read his official bio and I invite you to discover his awesome work by checking out his website: http://berhart.blogspot.fr/p/lowbrow.html LOWBROW ARTIST OR POP-SYMBOLIST? At the end of the 80s, when he continued the comics from Pellos "Les pieds nickelés", Berhart "decorates" the streets of Toulouse with stencils, stickers, and graphics inspired by African art. Subsequently, he leaves the streets and comics for illustration and artistic direction in publishing and communication. He had the opportunity, in the mid-90s, to publish the comics magazine "Azimut". From 2005, at the head of Galerie Berhart, he devoted himself to his art, opening a parenthesis between 2008 and 2012 to lead "Caramba!" Publishing, a particularly innovative ebooks publisher. Since 2013, he returned to his art. He has produced large black and white drawings with a dense and complex composition teeming with esoteric, political, mystical and alchemical messages. He diverted classical works as well as references and imagery of popular culture, giving them a new meaning and a strong symbolic burden. In parallel, he creates very colorful paintings inspired by street-culture and comics. At the forefront of Pop Art and off the path of institutional art, he constructs a work that is rich in meaning, critical and uninhibited, questioning the cultural and social chaos of the twenty-first century.
End of the exhibition of my photos on gypsy culture in the European Parliament. A very beautiful adventure. On the agenda of Parliament this week, there was discussion against anti-Gypsyism; my photos were in the right place and at the right time. And what a pleasure to be surrounded by my gypsy friends Jimmy Villa, singer and guitarist, and David Baptiste, restaurateur!
I’m very busy for the end of the year!
I will be represented by the gallery Castang Art Project at FOTOFEVER, Carrousel du Louvre, Paris.
FOTOFEVER is a prestigious international photo fair directed by Cécile Schall.
From the 10th to the 12th of November, we are waiting for you.
I will be physically present on Sunday 12, if you would like to meet me and buy directly one of the photographs that I will propose.
I can’t be there the first two days, held by the opening of my exhibition in Zurich, November 11, at the Art & Business Gallery.
I will also make a dedication of my last photo book, at 17:00.
I’m very happy to meet you soon at the Carrousel du Louvre!
Thanks to the journalist Camilla Sechi!
Follow the link: https://www.blackframemag.com/gregory-herpe-photographer-playwright/
Petra Lossen Fine Art is pleased to announce the thought-provoking interdisciplinary international exhibition Political Poetical with works by Pablo Picasso, Salvador Dalí, Santiago Sierra, Erwin Olaf, Chus García-Fraile, Johan Wahlstrom, Johanna Reich, Gregory Herpe and Josie McCoy.
Curated by Spanish curator and arts writer Paco Barragán and Petra Lossen, the exhibit brings together an imaginative mix of classic and contemporary artists around the topics of the ‘political’ and the ‘poetical’.
The personal is political….and the political is poetical we could add. To the famous 1960s slogan—about which by the way until today nobody claimed autorship for originating the phrase—we could confidently argue that the political is poetical.
Especially in the contingent times of today’s capitalism it becomes a fascinating topic to examine how the political can be poetical and how the poetical is extremely political.
We entered in the mean time ‘classic’ artists like Picasso and Dalí in a fresh dialogue with contemporary artists like Santiago Sierra, Erwin Olaf or Josie McCoy, just to mention a few. The exhibition represents an exercise in a-historical or trans-historical curating that helps us to articulate how the political-poetical dialectics has been and still is a mayor topic in contemporary art and society.
Basically, we could argue that the artistic and its structures are always trying to redefine themselves and looking for news ways to meet the challenges society faces. Maybe today under neo-liberalism it is not about utopia or demanding radical democracy, but about more modest goals: the survival of democracy or the return/recovery of certain benefits of the wellfare state.
The exhibit Political Poeticalinserts itself within this fascinating artistic discourse and pursues the questions of what is art, what can art do and if it still can represent a place of resistance, critique and opposition.
If for Hannah Arendt the political is inevitably connected to actions that enable the appearance of the ‘unknown’, the art world is a place of ‘conflictual consensus’—as Jacques Ranciére would argue—where the utopian, the irreverent, the radical, and the impossible is possible. “Contrary to the usual assumption”—affirms Murray Edelman—“art should be recognized as a major and integral part of the transaction that engenders political behaviour.”
The group of artists reunited in the show tackle the dialects political-poetical from diferent angles negotiating its limits and its tensions using varied intedisciplinary media like painting, photography, video, sculpture, performance and work on paper.
The exhibition is both concept and display-wise divided into two constellations.
The ‘political wall’ will revolve around Pablo Picasso´s drawings of Guernica—the so-called Post-scripts—that are still today a master piece and a clear example of the horror and injustices of war. Both Spanish artists Santiago Sierra and Chus García-Fraile will enter in dialogue with Picasso in a literal and metaphorical manner: while Sierra presents a photo from the famous series of Veterans of the War of Iraq, Afghanistan Facing the Walldenouncing the connection between capitalism and warfare, Chus García-Fraile delves into the origine of the fireworks and the idea of the image as artifice, as simulacrum, conveying mesmerizing analogies between real bombings and fireworks. Also on the same wall we will display Johann M. Reich’s video-performance Monument in which she paints a simple German flag in which she ´literally’ disappears revolving around ideas of patriotism and nationalism. And finally, we will exhibit a fascinating image by Dutch artist Erwin Olaf staged in the Berlin interbellum years with its unmatching oneiric atmosphere. Now that we celebrate 80 years of the bombing of Guernica, Picasso’s drawings will provide a fascinating dialogue with the work of Santiago Sierra, Chus García-Fraile, Johanna Reich, Erwin Olaf and
If in the former constellation of works the political is more obvious or manifest, the ‘poetical wall’ reunites works in a sort of ‘assemblage’ by Salvador Dalí, Josie McCoy, Gregory Herpe and Johan Wahlstrom. Here we find the political filtered through modern society and elements like mass media, celebrity and social life in which the representation acquires poetical hints.
Salvador Dalí is an extremely political artist, although this part of his career has been conveniently silenced as he didn´t choose the right side of history. One of the inventors of the celebrity cultus, Dalí’s Profile of Time is an open-ended work which can reference from Einstein´s relativity theory to the poetical surrealists dream states in which oneiric landscapes go hand in hand with estranged characters. Josie McCoy delve directly in the realm of the celebrity status and politics turned into a celebrity contest: while Josie McCoy portrays the couple Ivanka Trump and her husband Jared Kushner exploring the potentiality of estrangement between the celebrity and the viewer.
On its turn, Gregory Herpe offers awkward and poetic black and white photographs of today’s cityscapes populated by celebrity personalities like Mick Jagger —vigilantly watched by French military— and histrionic Donald Trump. Finally, Swedish artist Johan Wahlstrom also walks the path of celebrity, mass media and especially social media by conveying estranged compositions of everyday life of people engaging in social media in the most varied situations tackling imaginatively concepts like “hyperflexibility”, “mobility” and “availability”, which are the key to the neo-liberal mantra. Departing from Salvador Dalí’s Profile of time we have in a metaphorical manner conceived a wall that deals poetically with politics, celebrity and social media.
The exhibition Political Poetical basically allows us to ask ourselves what is the role of art in society and how art can explore new ways and new ideas that can find directly or indirectly its way into our quotidianeity. Petra Lossen Fine Art is extremely happy to have reunited such a pool of artists in such a fascinating dialogue.
OPENING NOVEMBER 11th at 2pm
An International Art Show curated by Petra Lossen & Paco Barragan
Art & Business Gallery
Trittligasse 4 – 8801 Zurich, Switzerland
Everything is in order for my upcoming exhibition at the European Parliament, in Strasbourg, from 23 to 26 October 2017.
I presenting my photographs of the gypsy community.
Strasbourg & Brussels wish to pay a tribute to the European ethnic minorities, who are often known as poorly.
Beautiful opportunities in prospect since I will have the pleasure to welcome all European Deputies and their parliamentary attaches.
Exhibitions at the Parliament are always short and intense, because European Deputies only stay for two or three days.
Thank you to European Deputie Edouard Ferrand, and my friends Jean-François Lopez and Pierre-Louis Bassole, parliamentary attaches, who made this exhibition possible.
Twenty years ago, my friend Sam Zniber, host of NRJ Radio had introduced me to the station and I discovered a fun and exciting world! I wrote news, participated in the interviews of the stars who came in our show "The Program Z" (N°1 in France) such as George Clooney, Arnold Schwarzeneger, Will Smith, Jon Bon Jovi, etc. After we went both to Fun Radio for other adventures before I returned to other artistic directions. This summer, Patrick Mas, host of France Bleu Roussillon proposed me to be part of his team as chronicler for his new program "We talk about it"; the show runs from Tuesday till Thursday from 8.00 pm to 9.00 pm. We discuss and debate about almost everything, except politics or sport, he said! Perfect... Yesterday evening, it was my first and we had a good time, sometimes agitated but often funny, hosted by Patrick Mas (Master of the ceremony), and two other chroniclers of the day, the painter Anne Pacull and Thierry Meyer, producer. Highly recommended ...
Castang Art Project Gallery
During all Visa pour l’Image Festival
From Tuesday to Saturday from 10:30 to 13:00 and from 15:00 to 19:30
Sunday 3 and 10 September from 15:00 to 19:30
39 rue Rabelais – 66000 Perpignan – France – +33 (0)6 27 77 12 79
It’s a huge plaisir to welcome you at the Castang Art Project Gallery, in Perpignan, France, for my new exhibition.
For a long time I had the wish to work together with Roger Castang, a great professionnal who had the excellent idea to propose to me this rendez-vous during the International Photojournalism Festival Visa pour l’Image, from 31th of August till 17th of September 2017.
This is an unique occasion to discover a selection of photographs taken in Asia, Africa, and Europe, during different photoreportage.
This will also be an encounter with the talentfull sculptor Alexandre Nicolas, whose exceptional work of synthetic crystal inclusions will marry wonderfully with my photographic prints on aluminium plates.
I hope to welcome you all.
CASTANG ART PROJECT
From Tuesday to Saturday from 10:30 am to 1:00 pm and from 3:00 pm to 7:30 pm, and on Sundays 3 and 10 September from 3:00 pm to 7:30 pm.
39 rue Rabelais – 66000 Perpignan
+33 (0)6 27 77 12 79
On the Amsterdam Fashion Week an unique item will be introduced: an “I protect tigers” shirt designed by the dutch artist Bas Kosters (in which creative team my step-daugther Amber Huijskes takes part of; the beautiful blonde at the end of the video with Bas; I’m proud of her!) with a limited serie from 3900 pieces.
This is the number of tigers still living in the wild…
Bas Kosters & Amber Huijskes (click on the picture to see the video)
The first t-shirt will be shown on the 13 of july during the Amsardam Fashion Week.
From the 13th of july at 9pm, t-shirts ara available online on: http://www.wnf.nl/iprotecttigers
They are only 3900 tigers in the wild.
To save this iconic animal from disparation, the WNF started worldwide a rescue plan to double this number.
So support this rescue plan of WNF and give the tigers a future! Go to http://www.wnf.nl/tijger and watch what you can do to help!